This is a great little trick you can use with double stops in the way Stevie Ray Vaughan does in, “Pride And Joy”.
It doesn’t require you to know the scales or make changes to much of anything, you’re just following the chord in a way that works every time.
I’ll explain the theory, in case you’re interested, but it’s totally not necessary 🙂
If you dig it, and want more SRV, check out my How To Solo Like Stevie Ray Vaughan course.
