If Your Blues Solos Don't Sound Like Solos...
You Probably Don't Need More Licks

The real reason most guitarists can't solo — and a surprisingly simple afternoon fix

Dear Fellow Guitar Player,

You know the minor pentatonic scale.

You've learned some blues licks. Maybe quite a few.

You can noodle around and hit notes that technically work.

But then somebody puts on a jam track. Or you're at a session and it's your turn. And what comes out isn't a solo — it's just... notes. A bunch of notes going nowhere.

So naturally, you figure you must be missing something.

More scales. More boxes. More licks. Maybe some theory you haven't learned yet.

Here's the thing: you're looking in exactly the wrong place.

If I limit myself to just four notes — not a scale, not a box, not a collection of licks — four notes — I can play a convincing blues solo. Which means the notes were never the problem to begin with.

The problem is what you're doing with them. When you play them. How you play them. And whether you had any idea what you wanted to hear before your fingers started moving.

That's what The Blues Soloing Fix is about.

And honestly, it makes perfect sense. When something isn't working, you go looking for what's missing. Your solo doesn't sound right, so you figure you must need more — more scales, more boxes, more licks, more theory.

The guitar lesson industry is more than happy to oblige. There's no shortage of courses, YouTube videos, and tab books promising to give you more stuff to learn.

But here's the thing nobody tells you:

More notes don't fix the actual problem.

Think about it this way. If the notes you have access to were really what was holding you back... then someone with fewer notes should sound worse than you. That logic should follow.

Except it doesn't.

You've heard players like Albert King, Jimmy Vaughan, Robert Cray — guys who built entire careers, entire identities, out of a remarkably small collection of notes. They weren't sitting on some secret stash of scales you don't have access to. They were just doing something completely different with the notes they had.

The real problem isn't your notes. It's what you're doing with them.

Specifically, it's two things almost every struggling blues guitarist ignores completely:

When they play those notes. And how they play them.

Most players put 100% of their attention on what to play. What scale. What box. What lick. What note over this chord. And while their fingers are busy searching for the "right" notes, the two things that actually make a solo sound like a solo — rhythm and intention — go completely unaddressed.

That's not a knowledge problem. It's a focus problem. And it's fixable.

Here's what I know from nearly four decades of doing this: I can watch someone play eight or ten notes and tell you exactly what their problem is. Not a general impression — the specific thing that's breaking down and what to do about it.

And in the overwhelming majority of cases, it's the same two things: no sense of time, and no use of space.

Not a lack of licks. Not the wrong scale. Not insufficient theory.

Time and space.

That's the diagnosis almost nobody ever gets — because most people teaching guitar are focused on what to play, not on why the playing doesn't sound musical. I've built The Blues Soloing Fix around that diagnosis. Every step of this course is designed to help you find your specific version of that problem — and hand you a clear prescription for fixing it.

This is not another lick course.

There are no scale diagrams to memorize. No boxes to learn. No tab to work through. In fact, in the entire course I only teach you three small moves — four notes each — and that's completely intentional.

Because this isn't about giving you more to learn. It's about helping you understand why what you already know isn't working. And then handing you a clear, specific prescription for fixing it.

Here's the framework the whole course is built on. Every blues solo — every good blues solo — has three ingredients:

If you're looking for a course that's going to hand you 50 new licks and send you on your way, this isn't it. There are plenty of those out there.

But if you've been playing for a while — or even if you're relatively new — and you know enough blues to try but can't figure out why it's not working... this was made for you.

You're not missing information. You're missing a diagnosis.

By the end of this afternoon, you'll have one.

Lifetime access. Instant delivery. 7 video lessons, 29 jam tracks, and a PDF manual —
everything you need to figure out what's actually holding your blues soloing back.