If You Want To Play Blues Guitar, This Is For You…

Discover How To Learn And Master Blues Chords, Scales, Rhythms, And Solos… In The Comfort Of Your Own Home

Dear Friend,

If you would like to be able to play blues guitar chords, scales, rhythm, and leads, with the skill and confidence to get up and jam with any blues band at any time… then this course may be just the thing for you.

And here’s why…

As you may already know, you are going to need some blues chords, you’re going to need some rhythm figures (riffs) and you’re going to need to know the blues scales…

But what you may not be aware of is exactly which of those things you need, which things you really don’t need, and how to actually use those skills to play blues music on your guitar.

But, let’s get one thing perfectly clear…

It’s going to take some time, a little patience, and an ability to follow the instructions… even the instructions that aren’t like what you’ve heard before.

So if you’re one of those guitar players that buys a lot of courses and lessons, but really hasn’t opened any of them, this course may not be able to help you.

If you’d rather cruise around YouTube looking for a quick lick or riff, this probably isn’t going to work out and I’d rather not waste our time (and yes, it’s a waste of my time too as I’ll explain in a moment…)

The system I’ve outlined in this course is the same system I’ve used both with private clients and over 43,102 online students around the world. And it has worked very well for those who followed the instructions and spent some time with it… so I think it could work very well for you too.

So with that said, let me tell you…

Exactly What You’re Getting

First of all, Blues Guitar Unleashed is different from other “how to play blues” courses you may have seen because it actually goes in order (which seems to surprise many of my students.)

So it’s easy to use… start with the first lesson, and go through them in order until you get to the last lesson. Simple.

In each of the 31 lessons you’ll learn about blues chords, the 12 bar blues form, blues rhythm figures (riffs), blues scales, technique, soloing, licks, and more.

Most importantly, each lesson has both a ‘breakdown’ part, and a ‘play-along’ part and in many cases has them at more than one speed.

And while it might seem kind of hefty at 31 lessons, there’s no fluff or filler here. You’re not going to have to wait through me playing for 20 minutes before I get to the lesson, we jump right in and get down on it every time!

As an example, here's how I teach the start of the Texas Shuffle rhythm...

It’s About More Than Just Playing Blues

See, you can actually use the chords, scales, and techniques in Blues Guitar Unleashed to play many different styles of music…

In fact, the bending techniques, vibrato, and slurring are used just as much in classic rock or country as they are in blues.

And once you learn how the minor pentatonic/blues scale (they are really the same thing) becomes the major pentatonic/blues scale (without learning anything new) then you’ll probably start to notice it all over the place in country and classic rock music.

After all, most modern music comes from the blues at some point in its history.

So like I said, there’s more to this course than just playing the blues.

Here’s a fraction of what you’re getting…

Say goodbye to your old chord book… you’ll have the 4 main chord shapes you’ll use for 95% of your blues playing within the first 3 lessons (and the rest before lesson 15.) That’s a lot less memorizing and a lot more playing.
How to know the 3 chords, instantly, in ANY 12 bar blues song… even if you’ve never heard it before (and you’ll be able to find them on your guitar neck even if you don’t know the note names.) It’s all in Lesson 2.
Why smaller chords work better and those barre chords that are hard to play should be left behind. Yes, you heard that right, chords with less notes that are easier to play are better when you play with a band. (See Lesson 4 for more.)
How to play any 7th chord (the blues chord type) in at least 3 different places on your guitar neck so that no matter where you are, you can get to the next chord fast without getting lost. (Lessons 1 and 2.)
2 most common ways to vary the 12 bar blues. You’ll learn both the “quick change,” and the most common turnaround variation so that even if you’ve never heard a song before, the first time through your ear will pick up on how it goes. (Lesson 2.)
When it’s ok to substitute more colorful chords like the 9th chord for a 7th chord so you can make your blues rhythm playing more colorful and keep from sounding boring or stiff. (Lesson 3.)
How to play all 3 chords in a 12 bar blues with 2 fingers, moving no more than 2 frets (and usually 1) the whole time. Forget the days of missing chords because you couldn’t make the changes fast enough. (Lesson 4.)
How to multiply your blues rhythm options with simple little “half-step” slides. You can use these at any time so your rhythms never sound stale or boring… and you’ll never just keep repeating yourself again. (Lesson 5.)
When it’s OK to just… not play! You don’t have to be afraid of space in your rhythm or your lead playing, but over playing is one of the most common things I see in less experienced blues guitar players. This comes up in several lessons throughout the course.
How to eliminate string noise and extra ‘clunks’ and ‘squeaks’ when you do your bends so they sound clean and precise. (Lesson 16.)
How to use “bouncing” rhythms like in the song, “I’m Tore Down,” by Freddie King (also done by Eric Clapton.) This same rhythm is used by Albert King when he played, “The Sky Is Crying,” and variations come up in songs like “Damn Right, I Got The Blues,” by Buddy Guy and blues/rock songs like “All You Need,” by Joe Bonamassa. Once you learn the structure behind these types of riffs, you’ll be able to make up your own or copy those that you hear in other songs easily because you’ll know exactly which notes to choose from. (Lesson 6.)
How to play “double stop” slides in both your slow blues rhythm playing like in the “Stormy Monday” recording by the Allman Brothers, or in a faster shuffle song like, “Empty Arms,” by Stevie Ray Vaughan. You can even combine this move with bouncing rhythm like in Lesson 6 for even more variety in your rhythm playing. (Lesson 7.)
The truth about blues rhythm and why it’s just not like other styles of music (I’ll give you a hint, it’s how we subdivide the beats into 3 pieces and not 2.) In Lesson 8 you’ll finally really wrap your head and hands around the classic “Blues In E” rhythm so you’ll truly be able to feel the pulse of the blues, and your playing can flow right along with it. (Lesson 8.)
What to do if you can’t find any rhythm figure that fits the tune you want to play – there is always one rhythm figure that never fails, and it’s dead simple to play. (Lesson 11.)
How “The 3 Feels” of blues work and how to move that standard “Blues In E” pattern to any key – whether there are open strings or not. You can also play it in any of the 3 feels so it won’t matter what song someone wants to play, you’ll probably have it covered. These rhythms work best when it’s just you and a buddy or 2, but they might also work in a band context. (Lesson 8.)
Discover the most common and important Robert Johnson style turnaround lick in blues history (this is simply a “must know” for any blues guitarist.) (Lesson 8.)
How to get your John Lee Hooker on (or Billy Gibbons, depending on your era) with the classic riff in Lesson 9.
When you should use power chords instead of “full” chords for riffs in a blues/rock style such as “La Grange” by ZZ Top… and how to do it so you can use them any time you need them. (Lesson 9.)
How to play the “Texas Shuffle” made famous by Stevie Ray Vaughan. This rhythm figure, however, isn’t just for “Pride & Joy,” and can be used in dozens of blues classics including, “Sweet Home Chicago,” for one. (Lesson 10.)
Why “butchering it loud and proud” can work better when you play the Texas Shuffle. I know you were probably taught to go slow and steady and build the speed gradually, but this is one particular time when you need to throw that out the window so that your muting hand can do what it needs to do. Don’t worry, I’ll show you how. (Lesson 10.)
How to add in those cool walking bass notes to the Texas Shuffle which, turns it almost instantly into “Pride & Joy,” or “I’m Crying,” by Stevie Ray Vaughan… but what’s wrong with that? (Lesson 10.)
How to play a minor blues in the style of, “The Thrill Is Gone,” by BB King. You’ll need a few extra chords for this, which we’ll cover in detail, and you’ll need to understand the “flat six turnaround” that is used for songs such as this. (Lesson 11.)
How to play the “Hendrix Chord,” the 7#9 like you see in his famous song, “Purple Haze.” Turns out, it’s useful for a lot of things, including a minor blues. (Lesson 11.)
What to do if you are playing rhythm, but you want to add a couple of single notes to your rhythm. I’ll show you how to lay “box 1” of the blues scale over top of your minor and minor 7th chord and do just that. (Lesson 11.)
How to play a shuffle rhythm in the style of “Cold Shot,” by Stevie Ray Vaughan. It’s a unique sound to mix little chords, blues scale notes, and that heavy picking hand all together, so I’ll walk you through it carefully and step-by-step in Lesson 11.
When is a blues not a blues? Walk into a jazz club and “a blues” becomes a very different thing. I’ll show you the differences and how to play some of those hipper chords and ii-V turnarounds in Lesson 12. These are also great for some traditional blues tunes, especially if you’re into the Robben Ford or Larry Carlton type of blues sounds.
If you like the jazz sprinkled in with your blues, then you’ll also need to know about the I-VI-ii-V turnaround and how to use altered dominant chords in your blues. We’ll talk about both with a jazzy blues example in Lesson 12.
Man cannot live on slow blues and shuffle blues alone, and Albert Collins proved it by injecting the blues with some solid funk grooves. In Lesson 13 you’ll see how the funk breaks down and how you can get your right hand moving and grooving with the best of them.
How to play what I call, “The four to one move,” which comes up in so many songs I can’t even count them all. It’s difficult to pinpoint in words, but when you hear it, you’ll know it right away from thousands of rhythm guitar players throughout history (in blues and rock music.) (Lesson 6, Lesson 13)
How those crazy “Stormy Monday,” T-Bone Walker style chord changes work, and how to play them. In this example we’ll use them in a beautiful Gospel Style blues that is meant to be played by yourself so that the next time someone asks you to play something, you’ll actually have something to play that sounds really impressive. (Lesson 14.)
You need to learn all the scales before you can solo, right? Wrong! There is only 1 primary scale you need, and you can play an enormous amount of music on just 1 pattern. 95% of everything you’ve ever heard Albert King or Stevie Ray Vaughan play falls within 2 patterns on your guitar. I’ll show you those patterns first in Lessons 15 and 19, and you’ll actually use them in Lessons 18 and 20.
Where you can bend in a blues scale, and where you can’t bend in a blues scale, and why. If you’ve ever heard someone bend a note but it just didn’t sound right… this is probably why. (Lesson 16.)
How to not only keep your volume consistent when you do hammer-ons and pull-offs, but how to dynamically decrease OR increase the volume of your notes… even though you aren’t picking a single one. (Lesson 17.)
The secret to those “flurries” of notes that guys like Eric Clapton do so effortlessly. I call them “Tweedlies,” and you’ll see how the “magic” happens so you can use them for yourself to add excitement and little bursts of speed to your own solos. (Lesson 17.)
Think the most important of your solo is the notes and licks you choose? Think again… and you might not believe that the rhythm of your playing is that important, but it is. You’ll see how to really break down the blues rhythm so that you can know not only what notes to play, but more importantly, when to play those notes. (Lesson 21.)
How to play your blues scale in any key, minor or major, without learning any new patterns of scales. (Lessons 23 and 24.)
How all 5 boxes of the blues scale fit together, no matter whether you are playing a minor or major key, and why you’ll really never need any other scale to play the blues. So you can spend more time finding cool stuff to play, and less time “studying” scales.
The one time it’s okay to use the Major and Minor blues sounds together… and it’s better than ok, It’s perfect! The Masters like BB King and Eric Clapton knew just how to weave touches of the major blues sound in with their minor blues sound – but it only works in one place within the 12 bar blues chord progression. I’ll show you how, and give you a whole mess of licks starting in Lesson 24.
What beat you should never start your solos on… and unfortunately for most people it’s the one they naturally use. But you’ll see how to break that habit and what to do instead.
Say goodbye to spending hours running scales… when you only learn one pattern at a time, you’ll find it’s easy to remember them and since you will have used them so much before you need another pattern, you won’t have any trouble keeping them under your fingers as you add the remaining few patterns.
How to create moving, harmonized double-stop lines like Freddie King uses in the middle of “Hideaway,” or perhaps even more notably as the introduction to “Brown Eyed Girl,” by Van Morrison (it ain’t blues, but who doesn’t know that song?) (Lesson 29.)
My simple, “Playing On The Porch,” method for playing solo (as in, by yourself with no accompaniment.) There are a lot of times when you’ll want to play the blues and don’t have a band or a jam track handy… so using this method of playing the chord on beat 1 and filling in the rest of the bar from the blues scale, you’ll be able to entertain yourself and others who might be listening for hours without sounding stale or getting boring. (Lessons 30 and 31.)
How to approach your soloing in “Levels” of sophistication. As with most things, there is more than one way to approach your blues soloing based on what you want to hear. You’ll get to make that decision for yourself but I’ll guide you through the options so you can choose the sounds you want to hear. No matter what you decide, you’ll have all the tools to make that sound come to life.

You’re right, that’s a lot of blues guitar playing goodness right there and it’s all “battle tested” stuff that I, and many other professional guitar players I know, use day in and day out on stages throughout the world – because it just plain works.

But, it gets better because you’re also getting…

Six complete solos played with a band. 

They average 24 bars each so that’s a grand total of 144 bars of classic, authentic blues licks that you can, and should, steal for yourself.

It’s been said that, “Good composers borrow, and great composers steal,” and soloing is nothing more than spontaneous composing. BB King stole his licks from Lonnie Johnson… Stevie Ray Vaughan stole his from Albert King…

And I’m handing you literally dozens of licks that you hear every day on thousands of classic blues recordings.

Not only are they provided in complete, detailed TAB and standard notation in the manual, but I’ll walk you through each lick and each solo, note for note, as I break down each lick for you. We’ll leave no stone unturned…

Plus, you can play along with me in both slow and full speed versions and simply follow the on-screen TAB if you get lost. And if you need to repeat a section, the looper function in the member area video player makes it a snap to set your loop points and just sit back and play.

When you learn these solos two things will happen that you might not expect…

First, your brain will start to inherently grasp the concept of “story flow” within a solo. You might not have ever thought of how solos ebb and flow, but they do, and it’s much like a story.

A lot of people just learn licks, but when you do that, the story flow gets lost and even though you can play the licks, the solos don’t go anywhere and don’t sound like they could… but you won’t have that problem.

Second, you’ll get a better sense of rhythm and timing (the single most important thing) because you will be more used to playing with a great band (mine, on the jam tracks) and you’ll feel comfortable in that environment.

The single most telling thing between an amateur and a professional blues player is the timing and how their notes sit against the rhythm. Play along with me, and do it often, and your ear will pick up those subtleties of time and rhythm that other blues players simply won’t ever get.

That’s just how the system works, and you won’t have to do anything extra… just follow it, do what I do, and it’ll just work.

But Here's What Really Makes This Different...

See, the blues isn't really about knowing a million licks. It's about knowing the RIGHT licks—the vocabulary that every blues player uses—and being able to execute them perfectly, in time, in any situation.

The blues is really just a bunch of small puzzle pieces that get put together in different ways every time. And the artist—the guitar player—is the one who gets to decide how those little bits and pieces get put together.

But before you can do that, you've got to be able to play all of those little bits and pieces.

And Blues Guitar Unleashed has all of those little bits and pieces.

I often say that the most important thing for any guitar player is experience . Not information. Not theory. Not watching more videos. Experience.

Experience playing the right things, in the right order, with the right timing.

And my job is to make sure you GET that experience.

So when you go through Blues Guitar Unleashed, you experience all of the possible things that will likely happen at a jam, or with a backing track on YouTube, or playing with a band. It really doesn't matter the situation—you'll be able to handle it.

Because you've already done it dozens of times in the course.

Why This System Works When Everything Else Hasn't

Here's the biggest mistake that most guitar players make:

They think they have to learn it ALL before they can make music with it. They think that having more scales, more chords, more licks is going to make them sound better.

But here's the truth:

Having 50 licks you can barely play will NEVER sound as good as having 5 licks you can execute perfectly—with great timing.

Less, done perfectly with great timing, beats more done sloppily. Every. Single. Time.

And the way you execute those ideas perfectly is by understanding the rhythm, understanding the timing, and being able to count.

If you don't have a good sense of rhythm and timing, if you don't know what beat that lick is supposed to start on, it will never sound good.

Now, I know what you might be thinking: "But Griff, counting? That seems so basic. I thought I was past that."

And I get it. Having to count out loud for a lot of people feels like they're taking a step back. They feel like they're not making forward progress at first.

But here's what they don't understand: It takes time to unlearn old bad habits and to make timing and counting an integral part of your playing.

I've had dozens—actually, hundreds—of students tell me over the years that once they get the hang of it, they don't know how they ever got along without it. Because they realize you can't really play without it.

And here's the good news: If you practice what I tell you for 20 to 30 minutes a day, you'll be fine. I don't care what else you practice. If you want to play a bunch of random YouTube lessons and jams for any more than those 20-30 minutes, that's fine—it ain't gonna hurt you.

But if you spend 20 to 30 focused minutes a day doing exactly what I'm prescribing, you will see improvement.

Here's What Makes Blues Guitar Unleashed Different From Other Courses

Many courses that I see are a hodgepodge of materials where there's one lesson after another, and the later lessons may or may not be more difficult than earlier lessons. They don't build upon each other.

So earlier lessons might be too difficult. Later lessons might not be as relevant.

But because of my underlying theme of being able to execute things musically in time—exactly right—that requires certain things be mastered before you can move on.

And the reason that BGU is the right system for doing that is because counting and timing and those fundamentals are the bedrock of the course . And you have to have those things first.

So I make sure that you have those things first.

Then everything else builds on that foundation, in order, so that each lesson prepares you for the next one.

No more random YouTube rabbit holes. No more "I'll just learn this one more lick and THEN I'll have it figured out."

Just a clear, proven path from where you are now to where you want to be.

Don't Take My Word For It—Here's What Students Say

Look, I can tell you all day long that this system works. But you probably want to hear from people who were exactly where you are now.

Let me share a few stories...

Brandon's Story: From Bedroom Noodler to Confident Jammer

Brandon had been trying to learn guitar for 15 years. He'd spent all that time in his bedroom by himself, following YouTube videos, chasing random ideas around, buying books along the way.

It was a fun hobby, but then he tried to play with a couple of friends and realized something devastating: his timing was terrible. He didn't have the skills to be able to play with other people.

"I followed along with some of Griff's videos on YouTube and I was really impressed with his teaching, so I decided to jump in and buy his Blues Guitar Unleashed course," Brandon said.

"Since then, I have worked with the jam tracks, I've really worked on my timing, and I've tried playing with some friends and I've gotten a lot better in that time."

But here's what Brandon says was the most valuable part:

"What I'm most excited about is there's also a really great community that's very active on his forums. Within that community, I've been able to get great feedback from recordings of my own playing... And in the next few months I'll be working on practicing and getting ready to be able to go play live on stage with a really great, supportive group of people. I couldn't be happier with the course."

Elizabeth's Story: "I Thought You Just Needed Talent"

Elizabeth had tried to learn guitar before and failed. She'd had bad teachers in the past and thought that maybe she just didn't have what it takes.

"It took me a long time to get to this point where I realized what it was that I needed to do. I needed a good teacher," she said.

"I thought that you just needed something called talent. But you don't—you need determination and the desire to be a better player. And very most importantly, you need a good teacher. And Griff and his methodology are good teachers."

Now? Elizabeth is playing with a local open mic, rock, Blues jam.

"It's something I thought that in my lifetime I would never be able to achieve," she said. "I'm now playing with a local open mic, rock, Blues jam—something I thought that in my lifetime I would never be able to achieve."

What made the difference for Elizabeth was my focus on the fundamentals—especially the "little chords" and simple approaches that actually work in real playing situations.

Elio's Story: From Memorizing Songs to Understanding Music

Before starting with me, Elio's primary method of learning was just memorizing songs. He'd find a song he liked and learn how to play it from an online video.

"The problem with that is that while I did learn to play some things, it was largely just a memorization effort, which means I didn't really understand why the song was structured a certain way," Elio explained.

"One of the basic benefits of Griff's approach is that he very much focuses on that foundation that you need to understand in order to really get good at it. Through that, I learned some music theory and some practical aspects of guitar that taught me what to look for."

Now here's the transformation:

"Now I can listen to a song and I can largely figure out the structure of that song and how I would approach it without ever really having learned how to play that particular song. I do this periodically at jam events where it is not uncommon to be on a stage and have someone just suddenly tell you what the song is going to be—maybe it's one you've never played before—but I know enough now where I can figure it out and I can play along with it and maybe even solo over it and sound like I sort of, kind of know what I'm doing."

That's the power of understanding the system instead of just collecting random licks.

Jamie's Story: From Feeling Like a Child to Actually Playing Music

Before finding my teachings, Jamie was going through a popular beginner book available at music stores.

"But I felt like a child. I had flashbacks to junior high when I played flute," she said. "I also was going online and finding videos for maybe learning a popular song, but it wasn't getting me anywhere. I didn't know where I wanted to go, honestly. I wanted to play guitar. I didn't know what that meant."

She tried learning a few chords, but then hit a wall: "Once you get a couple of chords down, what's next?"

What Jamie found most valuable was the forum community:

"I use the online forum a lot more than I thought I would. When I was going through Beginner Blues Guitar Unleashed and the first half of Blues Guitar Unleashed, I was posting consistently and it kept me motivated because I don't have other people to play guitar with. So it's just me. And that was nice getting feedback and suggestions on how to improve."

But here's the unexpected benefit:

"I also like the monthly challenges. They pick a theme, you record a song in that theme. And I would have not been singing. I honestly, the only reason I started participating is because I wanted to have a push to play a song on my guitar. But in order to submit, you have to sing. And that's been a new challenge for me that I would never have done otherwise."

The biggest eye-opener for Jamie? "Griff's not teaching you how to play guitar. He's teaching you how to play music. And so it's not about learning one song and this with... it was eye opening for me to think about playing music this way. He teaches you the basics that you then put together. It's more about understanding the theory of how to play and how to play guitar, how to play things in different ways. Once that clicks, you go wild."

Michael's Story: 30 Years Playing, But Couldn't Solo

Michael had been playing guitar, pedal steel, and Dobro for over 30 years. He'd played in bands, had studio experience, and was an accomplished musician.

But he had never played lead guitar.

"Pedal steel is a lead instrument but is very different than six string guitar. So when I first got started with Griff, I was very much interested in learning to play lead guitar," Michael said.

What he found in Blues Guitar Unleashed was a structured approach that finally made sense:

"I found the course program, the way he provides the solos and a lot of background as you build up to learning a solo and then breaks each solo into individual licks—I found that has really, really helped me over the last two or three years to feel very confident now as a lead guitar player."

But here's the unexpected benefit Michael discovered:

"Griff will be the first to tell you that he hammers on counting. And it's funny, having been a musician and played in bands for years, I was amazed to realize I was not that good at counting and really had to work on it for a while. But I think it's actually one of the most unexpected benefits of working on learning to play Blues lead guitar—it's made me a better musician overall because of the focus on timing and counting. I think that's just a really solid foundation for people to build on any musical endeavor they take on."

Now Michael participates regularly in the Virtual Jam Room on the forum and the monthly song challenges, and he says: "There's always 10-15 people on the forum who will at least take a listen to what I did, which is fun."

Do You See The Pattern Here?

These aren't "naturals." These aren't people who started at age 5 and practiced 8 hours a day.

These are regular people—in their 40s, 50s, 60s, even 70s—who had tried to learn before, felt stuck, and didn't know if they'd ever "get it."

And now they're:

-- Playing at jams and open mics
-- Figuring out songs on the fly
-- Understanding music, not just memorizing
-- Part of a supportive community
-- Having the time of their lives

That could be you.

Here's What Happens If You Don't Fix This Now

Look, I'm not going to use fake scarcity tactics or tell you this offer disappears at midnight.

But I do want you to think about something:

If you don't fix this problem... if you keep doing what you've been doing...

Where will you be in five years?

I can tell you exactly where:

You'll sound exactly the same as you do today.

I've worked with hundreds of students in my private teaching who were in that exact position. They spent years—sometimes decades—spinning their wheels, bouncing around YouTube, collecting courses they never finished.

And when they finally came to me, they said the same thing:

"I had a hard time with it, so I left and did other things. And I realized that BGU had what I needed—I just didn't want to do it. Now that I've done it, I can't believe I waited so long."

Don't be that person.

Don't wake up five years from now in exactly the same place you are today, wishing you'd just buckled down and done the work.

The cost of inaction isn't just money. It's time.

And time is the one thing you can never get back.

Here's Frank's Story: He Decided NOT to Wait Another Five Years

Frank learned how to play guitar in the Navy a long time ago. He only learned cowboy chords and open chords—"sit around and pass the time playing like campfire songs and that sort of thing."

After that, life got in the way. He never really had the opportunity to expand his playing abilities and pursue his passion.

Years later, he had a bucket list item: to play in a band. That dream started his whole journey.

"I saw an advertisement online for the four note solo. 'Learn this four note solo and you can play at a jam tonight.' Well, that was a bit ambitious," Frank laughed. "But it did captivate me and it was kind of the genesis of my passion to be a real guitar player."

Frank started with that simple four-note solo and worked his way through Blues Guitar Unleashed.

Now? "If it wasn't for Griff, I don't believe I would have ever been able to achieve the bucket list item of ever playing in a band."

Frank didn't wait another five years. He started when he found the right system.

Here’s What To Do Next…

The investment for Blues Guitar Unleashed is $167 .

Now, I know that's more than a lot of other guitar courses out there. I'm well aware of that.

And mine is better. That's why it costs more.

Here's why I price it this way:

I would rather work closely with a smaller number of serious students who are actually going to do the work... than work with thousands of people who just want to collect another course and never open it.

When you invest $167, you're not just buying a course. You're getting:

31 comprehensive video lessons that build on each other in a logical sequence—start with Lesson 1 and work through them in order until you get to Lesson 31. Simple.

6 complete note-for-note solos broken down lick-by-lick (144 bars of authentic blues vocabulary you can use in your own playing)

Professional jam tracks at multiple speeds so you can practice with a real band and develop that crucial sense of timing

Complete TAB and notation for everything in a detailed manual

Lifetime access to the member portal—stream it or download it, your choice. It never goes away and you can access it any time you want on your computer or mobile device.

Access to the Blues Guitar Unleashed Member Forum with nearly 15,000 active members—you're never alone, help is never far away

Direct access to ME —I personally answer questions on the forum. Any one of those 43,000+ people who have bought this course over the years could get on the forum tomorrow and ask me a question, and I would answer them by the end of the day. That's just how it works for me.

And here's the thing...

If you were to take private lessons from me, it would cost you about $6,000 to go through this material.

At $120 per lesson, once a week for a year, that's where you'd be.

And most people go through Blues Guitar Unleashed not just once, but two, three times, or more—and they tell me they find something new on every pass.

But even if you only go through it once, you're looking at less than $14 per month—less than a decent pizza—to really learn the blues on your guitar and feel confident that you could get up and jam with any blues band, any time, anywhere.

Don’t Worry… We’ve Got Your Back!

Because you’re also protected by what I call…

The Best Darn Guarantee In The Business

And it’s really simple… if you don’t like it within 90 days, you tell me and you get a refund, and you don’t even have to send it back.

Really, it is that simple.

We won't call you and hound you and try to change your mind. We won't make you jump through hoops or fill out forms explaining why.

You just tell me it's not for you, and you get your money back. Period.

I can offer this guarantee because I'm confident that once you get in and start working through the lessons, you're going to love it.

But if for any reason you don't? You're covered.

(And you wouldn't get that guarantee if you took private lessons, by the way...)

You're Never Alone—The Community Is Here For You

One of the things that sets Blues Guitar Unleashed apart is the Member Forum .

This started out as simply a place for me to answer student questions in a central location so I wouldn't have to re-type the same thing over and over.

But now, with nearly 15,000 currently active members, you are never alone and help is never far away.

Of course you can ask course questions if you have them. But the forum is good for so much more:

* Post recordings of yourself and get constructive feedback
* Talk about gear, jams and meetups, theory, recording, songwriting
* Join the "virtual jam room" where you can take turns recording yourself over a jam track (it's really fun, and I've been known to jump on one * once in a while)
* Connect with other students in your area for in-person meetups and jam sessions
* Participate in monthly song challenges to keep yourself motivated and accountable

The people on this forum are some of the best people you'll ever want to know.

What started so simply has turned into something that many students say is the most valuable bonus of all.

As Jamie said:

"I use the online forum a lot more than I thought I would. When I was going through the course, I was posting consistently and it kept me motivated because I don't have other people to play guitar with. So it's just me. And that was nice getting feedback and suggestions on how to improve. The forum's also great because you can ask questions and get gear answers from people who are respectful, who know what they're doing and who play well."

And Michael said:

"The forum and the community are quite fun. There's a section called the Virtual Jam Room where somebody will put up a backing track and different people will throw a minute of a solo on it. It's fun hearing what everybody else does and challenging myself to put something on there. There's always 10-15 people on the forum who will at least take a listen to what I did, which is fun."

You're not just buying a course. You're joining a community of people who are on the same journey you are.

The Time Is Now…

Blues Guitar Unleashed has been around for nearly 20 years now, and clearly isn't going away.

But how long are you willing to put off really being able to play?

Think about how much time you might have spent cruising YouTube or Facebook groups looking for free lessons or videos that would show you what you needed to know.

Where might you be now if you'd spent that time on a system that's proven to work?

Just imagine:

Walking into your local blues jam and shaking hands with all the guys there as they get your name on the list because they want to hear you play... not because you asked.

Or maybe for you it's about sitting in your music room at home with the professional jam tracks in Blues Guitar Unleashed... passing the hours enjoying the sounds you're making instead of clicking through to the next video, hoping it'll have what you've been looking for.

Or finally being able to sit down with those YouTube backing tracks and actually sound good—knowing exactly what to play and when to play it, feeling confident that you can handle whatever comes up.

Regardless... you aren't going to get to where you want to be by continuing to do what got you here.

So stop procrastinating. Let's get you playing some blues.

How To Get Started Right Now

Getting your copy of Blues Guitar Unleashed is simple:

Just click the "Add To Cart" button below.

Within moments of your order being complete, you'll receive access instructions to the Member Portal via email.

You can be playing the blues in just a few minutes from right now.

The checkout process is completely secure and safe against hackers. Your privacy is protected.

And remember: This is a one-time payment, NOT a subscription.

So here's what's going to happen:

You're going to click that button. You're going to get your login credentials. And tonight—yes, tonight—you're going to sit down with Lesson 1 and start building the foundation that everything else rests on.

You're going to learn your first chord shapes. You're going to start counting. And you're going to play along with the jam track.

It very well may be challenging, but you'll feel GOOD knowing that you are finally on the right track and knowing you're doing good for your guitar playing.

Maybe tomorrow, you'll do Lesson 2. And maybe even Lesson 3 the day after that...

I have no way to know how fast you'll go, but I do know that in a few weeks, you're going to notice something:

You're actually getting better.

Not just collecting more information. Not just learning more random licks.

Actually, measurably, undeniably BETTER.

Your timing will be tighter. Your chord changes will be smoother. Your licks will flow.

And a few months from now?

You're going to be looking at that local blues jam thinking, "You know what? I think I'm ready."

That's what's waiting for you on the other side of this decision.

So let's do this.

To get your copy of Blues Guitar Unleashed 2.0 just click the yellow “Add To Cart” button below. Within moments of your order being complete you will receive access instructions to the Member Portal via email. So you can be playing the blues in just a few minutes from right now!

This is a one time payment, NOT a subscription.

All The Best In The Blues My Friend,

P.S. - In case you're one of those people who skips to the end...

You can get my complete Blues Guitar Unleashed video home-study course so that you can be able to play blues guitar chords, scales, rhythm, and leads, with the skill and confidence to get up and jam with any blues band at any time.

It costs just $167 and is available immediately as a digital download or you can stream it from your private member portal on your computer or mobile device. It never goes away and you can access it any time you want.

You'll get 31 comprehensive lessons that build on each other in a logical sequence, including 6 complete note-for-note solos broken down lick-by-lick. That's 144 bars of classic, authentic blues licks you can use in your own playing.

This is the same system that over 43,000 students from around the world have used over the last 19 years. I've personally worked with hundreds of students using this system, and some of them could barely play anything just a few years ago.

Now they lead their own bands and jump up at open jam sessions all over the world. They sound great and it's a lifelong dream come true for them.

You'll also get access to the Blues Guitar Unleashed Member Forum with nearly 15,000 active members, so you're never alone. If you have questions, or you just want to hang out with your new guitar-playing friends and talk about pedals, amps, or guitars... we've got you covered.

If you were to take private lessons from me, you'd probably spend well over $6,000 learning this material. But even then, you wouldn't have my unconditional 90-day "love it or get a refund and you don't even have to send it back" guarantee.

If at any time in the first 90 days you don't love it and think it was worth every penny, just let me know and you'll get a full refund, no questions asked. It's very simple, and you don't even have to send it back.

But don't delay.

Think about how much time you might have spent cruising YouTube or Facebook groups looking for free lessons or videos that would show you what you needed to know.

Where might you be now if you'd spent that time on a system that's proven to work?

Don't waste any more of your most valuable asset—your time.

Five years from now, you'll either sound exactly the same as you do today... or you'll be that guy at the blues jam that everyone wants to hear play.

The choice is yours.

Get your copy of Blues Guitar Unleashed today. You won't regret it.