E
Emilio
Guest
Hello all
I have been working on "Mary’s Little Lamb" and am struggling to get the up strum on the barred A7 to sound right.
I realise tone is subjective, but my quibble is the high E "on the barred A7" note sounds a bit piercing to my ear on the up strum. It seems that no matter what I try, I just cannot get it sound smooth like Griff’s version on his Tele
When I use the 2 note A7 chord "which uses the open high E" in the piece, it seems much more pleasing to my ear.
The Gear:
Swamp Ash bodied 57 RI Start, maple neck (American made)
Ernie Ball Skinny Top Heavy Bottom Nickel Wound .010 - .052
I seem to be getting similar results on both my solid state & Valve AMP’s, and my Line 6 Pocket pod playing though the clean channel
Does anyone have any recommendations to tame this thing down a little?
Is there any special technique or something?
Thanks
:-/
Emi (UK)
I have been working on "Mary’s Little Lamb" and am struggling to get the up strum on the barred A7 to sound right.
I realise tone is subjective, but my quibble is the high E "on the barred A7" note sounds a bit piercing to my ear on the up strum. It seems that no matter what I try, I just cannot get it sound smooth like Griff’s version on his Tele
When I use the 2 note A7 chord "which uses the open high E" in the piece, it seems much more pleasing to my ear.
The Gear:
Swamp Ash bodied 57 RI Start, maple neck (American made)
Ernie Ball Skinny Top Heavy Bottom Nickel Wound .010 - .052
I seem to be getting similar results on both my solid state & Valve AMP’s, and my Line 6 Pocket pod playing though the clean channel
Does anyone have any recommendations to tame this thing down a little?
Is there any special technique or something?
Thanks
:-/
Emi (UK)