MarkDyson
Blues Hound Wannabe
So, this concept is pure gold. I can't overstate how useful this is for a n00b like me wanting to be able to comp in pretty much any blues jam even on songs I don't know (which is almost alla dem).
My insecurity lies in being able quickly to find the right frets for the I chord; the IV and V are, of course, right there. In general practice, does one always use the E7 shape of the barre form to anchor the I chord? If so, Bob's my uncle and I'm all set. If not, are there some quick-n-dirty tips for finding that starting I position for the 2-note Little Chord when someone calls out a key for a 12-bar and I need to get there quickly and with confidence?
Then kew.
My insecurity lies in being able quickly to find the right frets for the I chord; the IV and V are, of course, right there. In general practice, does one always use the E7 shape of the barre form to anchor the I chord? If so, Bob's my uncle and I'm all set. If not, are there some quick-n-dirty tips for finding that starting I position for the 2-note Little Chord when someone calls out a key for a 12-bar and I need to get there quickly and with confidence?
Then kew.