OK, I watched the whole video.
In summary, Griff's Minor "lower house" pattern is the upper part of Minor Box 2 and this guy now considers it the "Albert King" box.
It has the notes A C D E G = all the notes of the A Minor Pentatonic.
Moving the "house" up two frets ("upper house") has some minor and some major notes but is not completely either.
A B D E F# = 1 2 4 5 6
You can make it minor by bending the B up to C and the F# up to G = A C D E G = 1 b3 4 5 b7 = A Minor Pentatonic.
You can make it Major by bending the B up to C# and ignoring the D = A B C# E F# = 1 2 3 5 6 = A Major Pentatonic.
If you combine all the notes you get A B C C# D E F# G = 1 2 b3 4 5 6 b7 = Composite Blues Scale w/o b5.
The "upper house" pattern is like a "skeleton" scale from which you can bend some notes to make it Major and bend other notes to make it minor.
The guy in the video is considering all these possible notes as the BB Box, making both Major and minor possible.
Griff addresses this in SBS. He likes to keep Major and minor patterns separate rather than combining them into 1 Composite pattern.
You could also go back to the Albert King minor house pattern and bend some of those notes to make it Major. (My second demo).
So actually either house can be Major or minor by bending the appropriate notes.
I made a couple of my own quick demos for anyone who may be interested.
In the first video I only demonstrate playing the "BB Box" as Major.
https://www.4shared.com/video/jzzgEOZdca/BB_Box.html (8:52)
In the second video I address playing the "Albert King Box" as Major.
https://www.4shared.com/video/FdjHjrQoei/BB_footnote.html (1:22)
Errata: At 0:15 and 1:30 I meant put a "roof" on it, not put a house on it (We're not playing Monopoly). At 0:47 I meant to say b7 not b5.
And yes, we're saying the same thing, but I'm not hopped up on coffee or distracted by "chat".
And as always, I try to relate comments to Griff's teaching.
Warning! And yes, I've been made aware of the problem with the 4Shared site, but haven't had time to change yet.