{"id":7893,"date":"2020-01-20T19:15:53","date_gmt":"2020-01-21T03:15:53","guid":{"rendered":"https:\/\/bluesguitarunleashed.com\/blog\/?p=7893"},"modified":"2020-01-20T19:18:16","modified_gmt":"2020-01-21T03:18:16","slug":"borrowing-arpeggios","status":"publish","type":"post","link":"https:\/\/bluesguitarunleashed.com\/blog\/borrowing-arpeggios\/","title":{"rendered":"Borrowing Arpeggios&#8230;"},"content":{"rendered":"<p>This is a concept that I hear a lot in playing by modern blues players like Matt Schofield, Robben Ford, Larry Carlton, and others.<\/p>\n<p>It involves using a bit of music theory to &#8220;borrow&#8221; the arpeggios from other chords within the key, not the chord that is being played.<\/p>\n<p>What that does is create a situation where you are tending to focus on the &#8220;colorful&#8221; chord tones, and not so much on the traditional ones.<\/p>\n<p>Used with purpose, and resolving this correctly, yields a really cool sound &#8211; doing it wrong, tends to sound wrong \ud83d\ude41<\/p>\n<p>This is just one of the topics in my new &#8220;Modern Blues Soloing&#8221; course, which is here:<\/p>\n<p><a href=\"https:\/\/gobgu.com\/getmbsbl\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/gobgu.com\/getmbsbl<\/a><\/p>\n<p>Enjoy!<\/p>\n<div class=\"video-plugin-new youtube\" style=\"max-width:100%; width:853px; height:auto; padding-top:0; padding-bottom:0; margin:0 auto;margin:0 auto; border: 0px solid #fff;margin-bottom: 20px;\"><div style=\"width:853px;height:0;  padding-bottom: 56.271981242673%; padding-top:0;\"><iframe width=\"853\" height=\"480\" src=\"\/\/www.youtube.com\/embed\/nGq6bB3E6xw?wmode=opaque&showinfo=0&amp;autoplay=0&amp;controls=1&amp;modestbranding=0&amp;vq=&amp;rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/div><\/div>\n<p><a href=\"https:\/\/bluesguitarunleashed.com\/pdf\/mbs-borrowing-arpeggios.pdf\">You can download the TAB to these licks here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a concept that I hear a lot in playing by modern blues players like Matt Schofield, Robben Ford, Larry Carlton, and others. It involves using a bit of music theory to &#8220;borrow&#8221; the arpeggios from other chords within the key, not the chord that is being played. What that does is create a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7895,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/posts\/7893"}],"collection":[{"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/comments?post=7893"}],"version-history":[{"count":2,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/posts\/7893\/revisions"}],"predecessor-version":[{"id":7896,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/posts\/7893\/revisions\/7896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/media\/7895"}],"wp:attachment":[{"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/media?parent=7893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/categories?post=7893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bluesguitarunleashed.com\/blog\/wp-json\/wp\/v2\/tags?post=7893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}