It's odd how things come in to your life at times when you aren't ready...
Now, I'm not some zen master with some mystery of the universe unsolved, not by any means.
But when I learned what I'm going to share with you today, I was actually at a weekend-long guitar clinic back in the early 1990s. It was put on by some guy from MI (musicians institute in Los Angeles) and I'm sorry to say I don't even remember his name.
At that time in my life I wasn't playing blues very much. Like a lot of people from the late 70's and 80's, I was playing as fast and loud as possible. It was the "shredder" era and I was spending 2 hours with a metronome and my scale books every day. I was so engrossed in that culture that I completely ignored the instructor's advice on jazz and blues soloing.
Fast forward about 3 years and I was teaching 5 days a week steadily. Things were going okay when one of my friends offered me his gig in a local blues and classic rock cover band. I really hadn't considered the idea of playing in a "bar band" but it seemed like a good way to play more and make some money so I had him set up and audition for me.
The audition went "ok." It was between me and one other guy, and they chose me. Not because I was really better, mostly because I didn't have much else going on at the time. They gave me a list of 50 songs to learn for the gig in 2 weeks... that was it.
Learning the tunes turned out to be the easy part. The hard part was the soloing... I stunk - badly. I always figured if I could play a blues scale I could play blues, right? WRONG AGAIN!
That's when I remember the clinic a few years earlier, and believe it or not I was able to find my notes from that weekend. I went over them again searching for that little secret I couldn't remember.
Finally I found it - I looked it over and worked out a couple of licks using it. Then I started playing over the tunes again... but it was all different this time.
Instead of sounding cold and stale, my licks made sense. And not only that, I found myself playing the same thing as the original artists without even trying to copy them! It was awesome. I had figured out how they were thinking, and since I was thinking the same way, I was playing the same sounds automatically.
The rest, as they say, is history. I've toured the world and made several recordings over the past 18 years or so. I've had a great career so far, and it's just getting started. Obviously I've tried to continue to learn and grow as a musician, but what I'll share with you today will take you very far indeed.
So, why go through this whole story? Simple, so you'll pay attention. My hope is that by reading of my mistake, and how powerful this little trick is, you won't ignore it, thinking it is too simple to be effective.
Now if you really are not at the point where you are doing a lot of solos yet, don't worry. This idea applies to rhythm as well. A lot of times the only difference between rhythm and lead guitar is where you stand
If you don't yet know the 5 boxes of the blues scale, you can download them in a .pdf format here. These are available all over the internet, and a quick Google search will yield hundreds of them, if not more.
Of course, if learning the patterns was all you needed, there would be no such thing as rock stars now would there? You have to learn what to do with them, and that's what this is all about.
You'll need to be familiar with the first 2 box patterns for this to completely make sense. Once you are, enjoy...
Now if you remember back to the 4 Note Solo lesson, I utilized this whole major/minor thing all over the place with only a few notes. Imagine what can be done with all these additional notes at your fingertips!
In the Blues Guitar Unleashed course there are actually 3 complete solos that utilize this concept and demonstrate how it can be used. I can't possibly begin to put all that here. But If you already have a lot of licks down and can solo pretty well, you'll be well on your way with the video here.
Here is the .wmv version of this video
Here is the .mp4 version of this video
Tags: blues guitar, blues guitar lessons, blues lead guitar, major blues, minor blues
Leave A Reply (119 comments So Far)
Art
So if Box 2 starting on the G is the G-major scale, that means that is the same pattern as an Emin box 2, correct?
llewellyn
Hi Griff,
Thank you very much for your lesson and your time taken to show us this very interesting scale. Its really cool. Keep up your good work and please send me some more.
Cheers!
Llewellyn
Anthony Longshore
Thank you so much!!! I have only had six 1/2 hour lessons so far. As soon as I learn the basics, I will sign up for your lessons ASAP. I really want them now, but I'm afraid there to advance for me at this time.Tabs are really simple to follow. Some of the chords, my fingers are not willing to make the pointA to point B yet. And now I'm learning the G major scale, plus the G minior. If you think I can, at this time walk away learning from your DVD's and books let me know. I read and listen to every one of your free E-mails, and feel I should be paying for them. Please reply to longshore.anthony@yahoo.com. Looking forward to hearing your thoughts on what I should do.
THANK YOU, Anthony Longshore / Cincinnati, Ohio.
derek
Thanks so much,excellent teaching,you make it very clear to understand.Love it
SKYLAR WOLF (Devils Son)
just wanna say your always doing a great job! I have my own thing going with this here music/playing. But, there are times my son, who is only 7 years old really wants to learn. So we both benifit from the lessons. Its a great way to spend time with my son. Since I am a full time musician we use your lessons to have fun together. Its like they say you can never stop learning!
Skylar Wolf ( Devils Son)
david griffith
great lesson ..... thanks very much........ I bought your course awhile ago and I hope you're 'doing well' ..... it's also great that you give so much much away at no cost except our collective effort to 'get it.'
collective 'cheers' to you
andy grant
Hey griff andy here.man its been awsome learning the blues with you, u have been an insperation to me,u have made learning how to play the guitar fun again,the scales I hve learned have been a big help,I have gone from just playing rytham to playing some lead,so thanks a lot man,and I'm gonna buy ur dvds when I get the money,thanks again griff.
Claude
Great stuff helps tremendously
StringBitch
Griff; this session is priceless; encouragement to find your voice and the concept of communication all in one; guaranteed to blow the back wall out of your gig venue anytime!!!!! brilliant, approach, enjoy and destroy all those misconceptions about yourselves as players;HIGHLY RECOMMENDED!!!!!!
MARK
i need more of this type of coaching . it does make sense
Nav
HEY GRIFF, I really like the secret you've unveiled to us here, however, I was wondering if you have a tab or video showing us how to play box 2, thanks so much,
Nav
Freddy G.
This has been one of the best lessions in how to use the major and minor scales and turn it around to make great blues lead. Thank you so much for this great lession, I well work it till I can play it in my sleep. Thanks Griff.
mike
Greatr work as usual guys. Honest and straight forward and sound logical advice very well explained. I commend you on your good work.
Eddie jenkins
What are your settings for straight
t and blues jr. Also what is your gig amp.
Wazza
A big thank you Griff, Iv'e been playing guitar most of my life, and you do a great job of showing me a nice easy relaxed way of making sence of lead guitar. So thank you again, and please keep the lesons coming, I love them.
daniel
you mentioned that you learned the idea of this blues soloing form an MI instructor...could he be by any chance... keith wyatt?
Al McCausland
Griff,
Way to advanced for me. Thanks! I only hope I can get there some day.
andy donaldson
I still cant believe how outstanding your instruction video's are G., I have been playing,teaching,and judging in competition, pipeband drumming in Scotland for 45 years and have been foolin around with guitars,as my 2nd instrument of choice,for years and since I stumbled on your instructions i can now play the blues,not very well but it sounds kinda like the real thing..! and,getting better.. Amazing.!
Long may you continue,or,as we say in Scotland,"lang may yer lum reek"
thank you very much
best regards
Andy
robert culp
ok thats the 5 boxes for A minor blues. where are the 5 boxes for E major and E minor blues
i've enjoyed the lessons bu they are reallyto slow for me. i'm 64 years old and i'm ready to delvea little deeper.
David
Not sure I agree on the limitations of only playing minor blues over the IV and V but the idea of using both major and minor (and playing riffs that combine them) is certainly important.
michael fredericks
In a previous video you mentioned the Brand name of the strat you use....I didn't get it. Would you let me/us know again. And as I'm certain it has been said many times, your playing is gifted...."something" to which we can all aspire . It's great!
rick h
That was about as good as it gets, 'O Wise One. And to my good fortune, your lesson was very timely, as yesterday I was practicing the Em box2 scale and having quite some fun with that. When watching your video today, I connected the dots to the box2 Gmajor pentatonic scale (that you showed), which is the same pattern as its relative minor -the Em box 2 scale (leaving out the Bb). When playing over the IV and V, my ear likes it. I don't quite understand it all, but your lesson reminded me of the connection ... a lesson long, long ago. Thank you Master.
Louey Hesterman
Another great tip Griff, many thanks, one of my problems at the moment is I don't use a plectrum but I can get nearly there by hammering on and off as I pluck- cant seem to match the plectrum speed though, more practice needed-
Thanks Griff, will remember this important tip (Major- 1, Minor 4-5)
Did I get that right mate?
Tim O'Neil
Griff,
Great lesson. It would be helpful, if you wouls show the tabs. Thanks. Tim.
Sally Grimes
Will I EVER get any faster? Seems I'm stuck in slo mo.
Joe
Thank-you so much. This clears it all up for me.
Marc Murphy
So I meant to start taking guitar lessons a while ago, and then suddenly 35 years went by. I'm now 56, finally bought a nice new American Strat and started taking lessons locally.
After 8 lessons (at $25 per) I stumbled upon your course. The first few lessons in your course are similar to what I was learning locally, but your lessons somehow drove the points home more clearly (even though my instructor is a very good, classically trained guitar player). When I complete your course I plan on going back to the local lessons, but with a very good foundation that I'm sure will allow me to progress well from that point forward.
Making these online educational purchases always seem a bit iffy, but your course is all that it's advertised and I would highly recommend it to anyone looking to learn to play. I came into this only knowing some basic guitar chords, but that was the only foundation I needed to get up and running. Thanks for a job well done and keep up the good work.
Marc Murphy
jonbrevik
this secret of the blues is cool there is a basic foundation to the process of playing them . now i have to i have to perfect the1-4-5 progessions knowing them blind. then the spark will hit.
Big Dan
BINGO!!! The light has gone on! I finally get the 5 boxes. Now my soloing goes all over the neck. I was so restricted before. I dropped my bandmates jaws with this. Awesome lesson, keep up the good work Professor. Big Dan in Michigan.
OGE
HEY GRIFF....I WATCH ALL THE E MAIL YOU SEND. I FULLY ENJOY THE LESSOND AND KEEP THEM ALL. I WILL TAKE ONE OF YOUR COURSES AS SOON AS I DECIDE ON WHICH ONE. I'VE WRITTEN TO YOUR HELP DESK AND COMPLETED A SURVEY YOU SENT ME BUT I'VE NEVER GOTTREN A RESPONSE. DOES ANYONE REALLY READ THESE? I DON'T MEAN TO BE A SMART ALECK; I WOULD REALLY LIKE SOME INPUT SO I CAN DECIDE WHICH COURSE TO TAKE. OF COURSE IF I TAKE THE BLUES UNLEASHED, I WOULD LIKE TO SEE IT ON SALE AGAIN. TNX OGE
A Martinez
Whoa Griff: Here I thought I was an intermediate player who was concerned your BGU wouldn't have enough of a challenge for me to find it worth the $147 investment. WRONG! This is an excellent study program for someone who doesn't want to deal with an actual instructor or just prefers to study alone.
I recently lost my favorite instructor to financial survival as student enrollment due to economy slow downed. Unable to find someone I could "jell with" I started searching the Internet for instructional videos. I tried a couple of others due to cheaper cost of the DVD's, but in actuality for what you get in the BGU, your program is far superior. Thanks the this product you've put a lot of hard work into developing and for all the free videos you send out. Awesome!!!
Chis Pegusset
At 64 years of age I didn't expect to be learning & playing the blues on guitar, thank-you Griff, from the UK.
Stan
Hi Griff,
Thank You just doesn't say enough!
I havd the pdf for the A minor but the video is in G, is ther a pdf for G ?.
Thanks, Stan
Marty Syring
Hello Griff:
I just wanted to express a “thank you” to you for helping me learn how to play guitar. This Blues stuff is the direction I want to go right now (I listen in at Bluesville almost everyday). What an education! All of the little tips and lessons you’ve provided by e-mail are helping me develop a practice routine. Eventually I’ll enroll in your course, but I haven’t progressed to that point yet. Take care, I’ll be in touch.
Marty S.
Jim Ervin
First let me say that I never could afford an electric guitar and never touched one until two or three years ago , at age 60, when I found a perfectly good 1964 model Danelectra tossed out with a pile of garbage in the lane beside my house. I've had many requests from people to sell it to them but I won't. Playing the music is too important to me.
One thing that's always slowed me down on guitar is counting the frets to know where to place my fingers. Finally I smartened up and numbered them with pieces of masking tape at each fret under the strings. That makes it easier for me to practice the A Minor Blues Scales, which I printed out. Thanks for making them available.
Kort Hutchison
Hi Griff - I have your "Soloing Without Scales" course and I look forward to your emails more than I can explain in these short words. Your teaching style is, without a doubt, the best I have seen. I am 62 yrs old and started playing the violin when I was 6, switched to Alto Sax in 6th Grade then Tenor through High School. I changed to Bass Guitar while in college, when my Sax was stolen. I played music for a living while in college and still gig now and again. I picked up the 6-string, for self amusement, after retiring. Thanks to your course, I am now hooked and play a little each day. You are a blessing to more than one generation of guitar players. I wish you all the continued success possible. Merry Christmas and Happy New Year to you and your young family.
Paul Lelkes
G'day Griff,
The video was done in the key of "G", the pdf link is in the key of "A Minor Blues Scale". My request is, can you send me the "G Minor Blues Scale", which will make my understanding of your lesson more relevant.
Greetings and thanks from one of your fans "downunder".
Paul.
don
HI GRIFF I NEED A NO BULLSHIT BEGINNERS PROGRAM FOR THE BLUES GUITAR IVE SEEN YOUR LESSONS AND VERY IMPRESSED CAN YOU ADVISE WHATS THE BEST DVDS TO START OUT WITH
REGARDS DON
aitie
Griff you are the most generous, kind, patient, and relaxed teacher on the internet. Great tips.
Lajos
Hi Griff,
) Kindest regards,
This is the best lesson I have ever had on blues soloing. It really changed my life, but seriously. It was that tiny kick that I needed to step forward, and that I could not find anywhere else. I am already more than familiar with all scales in major and minor, and I have made some solos of my own, but none of them sounded well enough to show anyone.
I have just followed you as you were playing, and it was really a revelation: a whole lot of new ways become open, and those sounds started finding themselves in the solo and the chords... You know what I am writing about... Thank you Griff, you are the KING!
Lajos
Rick
Hey Griff, Thanks man.
Re BRUCE SANKEY's comment, is there a diagram of the 5 box's available please.
Due to your generosity MANY guitarists are improving & feeling encouraged with their progress.
Dwell on that thought for a moment.
Tom Hris
Griff
Looking at your two Blues programs, I'm wondering which is right for me. I messed around with the guitar when I was a teeager an picked it up again earlier his year. I'm not a total beginner, but am quite rusty. Yeah, Im 57 now so it's been a while. I am getting a lot from your videos on line... wish they were longer. What would you recomend?
Regards
Tom
john
Hi Griff,
Interested to read your posts and examples.
Unfortunately, this latest one \\"the secret\\" - the video won\\\'t download!
Been trying to work out blues soloing principles for over 40 years now, (and now jazz) and still haven\\\'t quite got there, but getting close. Have 1 or 2 theories as to why a \\"blues\\" \\"scale\\" or basically minor scale works over a Ma or 7th chord sequence (which it shouldn\\\'t), if you\\\'re interested.
Even though I learned note for note then EC\\\'s Hideaway, and PG\\\'s Stumble, both with JMayalls Bluesbreakers (and saw them both several times live in 1965 - 67), I still could not say I\\\'ve worked out the \\"secret\\" of how they chose their notes from the available scales.
Regards,
John. England.
john
Hi Griff,
Interested to read your posts and examples.
Unfortunately, this latest one \"the secret\" - the video won\'t download!
Been trying to work out blues soloing principles for over 40 years now, (and now jazz) and still haven\'t quite got there, but getting close. Have 1 or 2 theories as to why a \"blues\" \"scale\" or basically minor scale works over a Ma or 7th chord sequence (which it shouldn\'t), if you\'re interested.
Even though I learned note for note then EC\'s Hideaway, and PG\'s Stumble, both with JMayalls Bluesbreakers (and saw them both several times live in 1965 - 67), I still could not say I\'ve worked out the \"secret\" of how they chose their notes from the available scales.
Regards,
John. England.
john
Hi Griff,
Interested to read your posts and examples.
Unfortunately, this latest one "the secret" - the video won't download!
Been trying to work out blues soloing principles for over 40 years now, (and now jazz) and still haven't quite got there, but getting close. Have 1 or 2 theories as to why a "blues" "scale" or basically minor scale works over a Ma or 7th chord sequence (which it shouldn't), if you're interested.
Even though I learned note for note then EC's Hideaway, and PG's Stumble, both with JMayalls Bluesbreakers (and saw them both several times live in 1965 - 67), I still could not say I've worked out the "secret" of how they chose their notes from the available scales.
Regards,
John. England.
Aron
Griff you always inspire me to keep going.Found a busted humbuker after a 2month wait
for my guitar in the shop secret formula Gorilla Glue works great on those magnets.
Found new pickups and listened to them online at seymore duncans site what a miracle.
Found out a lot of people play guitar but can't read music.Scale on staff not same as
guitar strings egbdf, strings are EBGDAE. Confusing and i like E blues i know those open
strings. Jam session Friday . Lost left hand after medical treatment last wednesday.
Doctors desperate to help me recover from stroke do more harm. I'll keep practicing
Keep up the good work .Ifixed my old guitar and i'll use PH90 PHAT CATS in my new
Acoustic Graphite. Project 20 Aron
ricardo
hello griff , can i request! can you send me a diagram of blues soloing. big blues thanks. god bless u always
bruce sankey
hey griff can u send me a diagram of the 5 boxes su l can follow what you say? Thx .
Dave
Is there a rule as to what number box is what I have notice that while learning the minor pent scale thst some videos call 58 57 57 57 58 58 box 1 in others I've seen it called box 2 is there a standard
jim
griff does this work shifting the scales major to minor with all of the different scale forms pentatonic scale, major scale, minor scale etc. and do you allwas start on the root notes within the scale that you are playing, or is it smart to hit the root note of each cord as it starts to be played? hopefully i am not the only one trying to figure this out. also i noticed you have a coarse playing through the blues is this going to be more advanced or no please help any info would be greatly appreciated. and don\'t worry with all your support I\'m sure you will be jammin with clapton in know time.
jim
griff does this work shifting the scales major to minor with all of the different scale forms pentatonic scale, major scale, minor scale etc. and do you allwas start on the root notes within the scale that you are playing, or is it smart to hit the root note of each cord as it starts to be played? hopefully i am not the only one trying to figure this out. also i noticed you have a coarse playing through the blues is this going to be more advanced or no please help any info would be greatly appreciated. and don't worry with all your support I'm sure you will be jammin with clapton in know time.
Chuck
Griff,
Thanks so much, once again, you clarify just what I am trying to figure out.
Good luck on the Crossroads festival, I\\\'m voting daily for you.
Chuck
Chuck
Griff,
Thanks so much, once again, you clarify just what I am trying to figure out.
Good luck on the Crossroads festival, I\'m voting daily for you.
Chuck
Chuck
Griff,
Thanks so much, once again, you clarify just what I am trying to figure out.
Good luck on the Crossroads festival, I'm voting daily for you.
Chuck
John Dale
GRIFF,....Haven\'t been able to afford your DVD yet, but hopefully one day...in the meantime, REALLY appreciate you and what you\'re doin\'. Bless you!...P.S. any Duane Allman licks?
John Dale
GRIFF,....Haven't been able to afford your DVD yet, but hopefully one day...in the meantime, REALLY appreciate you and what you're doin'. Bless you!...P.S. any Duane Allman licks?
Don Randall
Hi Griff,
After many years without a gig I finally landed a gig playing electric bass in a blues band.
It's called The James Yarwood Memorial Blues Band, based on a repertoire of blues and some r&b standards I used to play in the 70s. I probably got the gig because I was one of the original members - and the bass player at that.
I am hoping you will teach some of the shred techniques used in today's blues. There's no harm in playing blues with tons of expression. Thanks.
John
Hi Griff.
I am just a simple pick away, learn to play guy, but I really enjoy your videos and examples. I get better each day I play. Thanks and keep up the good work. Even though I am rank amateur, I was playing some of the stuff I learned from you and the boys next door stopped what they were doing to listen, they thought it was a cool sound.
shari tallon
Hi Griff,
You are amazing, love your emails and I have been telling all my students
to subscribe and order your lessons. You have a great way of demonstrating and the tabs you offer really helps too. I can\\\\\\\'t thank you enough and I\\\\\\\'ve been telling everyone I know about you!
Shari
hugh
het griff
the link http://bluesguitarunleashed.com/video/secret.wmv doesnt work
Hugh
Ed Araya
Griff,
Thanks for all the Blues\' \"tips and tricks\", I have learned quite a bit from the videos you send us. I have also practiced along with the rhytm files sent and I have a question. What do you use for a rhytms machine? or, Is is live? It sounds very real.
Bryce
While I'm sure you hear it alot, your teaching methods are fantastic. You focus on a couple of ideas that seem incredibly powerful, without overloading the student. I've watched your various free videos as they have come into my inbox and each time I've taken something away from them. I'm still a beginner but I feel my blues understanding has come a long way already from your simple tips.
I will be purchasing your Blues Guitar Unleashed package this month. Thanks for your value oriented approach to marketing it, I'm confident it will be well worth the investment.
John G.
Thanks for sharing your experience and knowledge. I have the "problem" of a good ear - making theoretical stuff difficult. I appreciate your approach and that you make your tips available. Your lessons are helping bring things together for me. Things are a little tough right now but when I can I will buy the DVD's. Thanks for helping those of us who want to learn.
Scott L.
Griff, first off let me say that I look at several online guitar newsletters and I feel yours is by far the best and most useful. I took lessons for awhile but had to stop (unemployed). I feel I\'m almost stealing from you because of all the good stuff I recieve. I\'m a little confused about something though. ( You know what they say, a little knowledge is a dangerous thing.)
I downloaded the A minor blues boxes and had known these before. However you have put a new slant on them. I think, according to your lesson,you can play all 5 over the same root note (G in your lesson, but A in the download). But you call box 2 the major and box 1 the minor in your lesson. What are the other boxes called? It seems to me all the boxes are minor because they all have the flated 3rd (the natural C in the A minor blues). Am I trying to confuse myself?
Miguel
Sorry, man, but this is BAD advice, especially for a beginning player that could easily get locked into it. To recommend NEVER playing the major pentatonic over the 4 chord ignores a kind of important player, a guy named BB King. Not to mention all the blues/rock guys who copied him. Listen to Dickie Betts' classic solo on "One Way Out" for just one small example of many. I've been playing 30+ years and honestly don't feel that "tricks" or "rules" like these are helpful for beginners who don't understand they aren't absolutes.
David R. Stiehl
This is the best blues course ever ..... and I've
been around for over 30 years
David R. Stiehl
Tom Paiement
Your instruction methods are fabulous. By far the best I have found on the web. I hope you are reaping some benefits from all this.
I have a quick question. Do you, in your courses, address the business of 'triplets' in the beat. The 1-2-3-1-2-3-1-2-3-1-2-3 in a measure?
Really a great job you are doing.
My best.
Tom Paiement
Dave
Griff,
Really appreciated the tip on the major minor blues scale, but have a question. By Major do you mean the Major pentatonic, or the Major scale? I'm a little confused on that one.
Dave
John F
Hi, Griff,
First, excellent job with the lessons. I'm learning so much from them. Thanks!! Here's my question - I understand the theory behind the I-IV-V progression, but what I struggle with is figuring out what key a song is in (other than the jam files that you've shared that use the key as the file name
). If you hear a song, or are looking at the music (I admit, I'm not good at reading staff), is there a trick/tip to identifying the key by ear or reading the staff? I see the basic chord progression in staff, but sometimes it's very tricky (at least for me) to figure out which key is used, especially if the chords are mixed up (that's what it seems to me). Thanks for the help!!
Helmut
Hi Griff,
it`s realy easy if you now it.
It`s a good addition to your DVD`s
Thanks for it.
Helmut
mark
Hi Griff,
I know there has to be alot of folks like me who "grew up?" and became a parent and got in the raising the family thing. Now I'm not complaining(not completely)I believe everything has a reason for being. I raised 2 handicapped children and now have been living alone for 3 yrs. I write this as a inspiration to anyone who is wanting to give in and give up on playing.My friends let me say this from a heart that had to live the blues to come back to the blues..."STICK WITH IT!" After probably 26 yrs of living without my strat I got determined to be happy again. I drove 140 miles to charleston s.c and got me another baby. For once something for me. And folks its great to know that after all this time its still there. Had to relearn some things but once you pick it back up its like good steak. You can't get enough. I'm signing up Griff cause I feel I can always leanr more and I know it can only help. Let me say thanks in advance!
slander
I don't know why it works but I often mix in notes out of the ii minor at bar 9 (the V chord). E.g. playing in Am at D7; key of G. It always sounds legit but I don't know why it works... perhaps you do?
Chris Anderson
Very nice tip, and very helpful to beginning blues players. I generally agree with the "rule", but major licks can sound really good against the V chord as well. Generally speaking, even the masters like BB will stress the minor scale on the IV chord.
Ed Klipsch
Griff, I have enjoyed the lessons. I am learning them on an acoustic-electric right now. Which is harder to get the bends, but am able to learn the basics to transfer later when I get a full electric. Your presentations are excellent.
robert thomas
griff all i can say is WOW and thanks.the lessons are great and i am takeing a lot from them thanks
Norman D. Cameron
Dear Griff, I recently purchased your DVD lesson and found them to be great. I was wondering if you could help me with a problem I'm having. I'm trying to find any tablature regarding an old blues song, "Bertha May" by Memphis Slim from the sound track "Honneydipper" or Album "Three Women Blues". It's a simple slow blues tune that's originally done in piano. I don't have the ear to tab it out but maybe you or someone you know could tab it. Thanks for a great product
Gary Odom
Griff,
You amaze me guy. I am constantly absorbing things from the net and am currently overloaded with material. You always push a breath of fresh air in the confusion and give me hope that I can learn to play this guitar. I only need a ton of practice to get my fingers to do the talking.
guy thompson
great lesson again griff somthing on how to use cords when soloing would be cool
karthik
You are an amazing teacher.. I could play the Minor blue scales seeing your videos. In my humble opinion, I think this video on major blues need some finger numbering as you mentioned for minor blues, so that it'd easy for novice..
You are just too proficient in guitar.. God Bless!
T. Collins
You are a great player.Thnx for your help..Hope you continue to provide info to the others. God bless you & your family!! Sincerly T.G.C
Walter
Griff - Once again, very cool and helpful,as well as entertaining stuff! I can't wait for the next one. Your four DVD | 2 CD set of lessons should be dynamite for everyone. Hope it goes well for you and keep that good stuff coming!
Thanks, man - Walter
volkan ural
hello Griff Volkan here from Turkey I am very happy with your blues lessons. To find a correct teacher here is very difficult but your lessons have helped me to understand and learn very quickly the blues system.
Thank you (tesekkur ederim ) Volkan
Bill
I appreciate your way of teaching,easy to do the cords. Thanks for the video,s Bil
Bubba
Griff, I have to tell ya. I have gone through some of the best Guitar classes around. And I have learned more useful information from you and your Playing through the blues class in just a few short weeks than I have in all of them combined. My own soloin g is finally starting to sound like something I would let others hear haha. I have in the past played rhythm and some country, but had always had a love for the blues. I can play rhythm along with many of the best but could never grasp lead soloing so it sounded like it should. Until Now... Thanks Griff.... Bubba
Ian
Hey Griff, Thanks for sharing your excellent information & tipps. Where is all the information about the Blues course,the DVD's, how to purchase them and are the DVD's playable in the U.K.
ezra
Hay Griff thanx for the real consern and share of the lesson really!! and if U can give a lesson on how to be a good pianist tooo plz
Kelly
Wow. You are great. Your tips are greatly appreciated. And the video clips are great too. Thank you
svend erik nydahl
Hey Griff
Now I m back from job, but where are the link to purchase the dvds arggh, whatt????
svend e.
svend erik nydahl
Hi there Griff!
Now I m searching for your blues teaching, and its 9.30 but no where to press a yes I buy button!
Well I m living in Denmark så maybe your`e still sleeping, but I d sure like to get my hands an the teaching, but for now I have to go on my job. Please reserve the item for me!
When I m back it can be too late, and besides I have things to do when I come home that just cant be postponed. Hopefull
svend e. nydahl
nydahlsvende@gmail.com
jack
Griff,
EXACTLY what I was looking for. I viewed the recent video with your student and was reminded of the 5 boxes for reference. Soon as I saw your reference in this note I printed it - thanks. The 5 box idea is really going to help with muscial tone/transisitions.
John
You speak of using Box 1 and Box 2 scales. Do you have a video further explaining these?
Griff
Thanks for the comments everyone.
As for the frequency of mailing... I'm sorry. My regular email sequence, which is automatic, is still running (because I don't know how to turn it off) on top of the additional emails I'm sending out.
The good news is that BGU comes out on friday and things will return to normal... no more 3 email days I promise!
As for the solo that seems "missing," it wasn't my intent to use a cliffhanger. Actually I just took that right out of the DVD and put it up, not realizing that I had done any kind of segue to the next lesson... my bad.
I'll see if I can't fix that and get some of that solo example up for you to see.
Griff
Rich
Griff,
Thank you for opening up the secret. This make perfectly good sense, and it opened up my creativity.
Rich
brady browning
i look forward to checking the mail for these lessons ibought your course and the riffmaster and i enjoy both very much. thanks again for all your help brady
David Gatch
I appreciate your style of teaching. Just what I need. Your emails keep me motivated to learn more. I call dibs on one of the GBU sets... can't wait to get mine.
As far as the frequency of your mailings, the only duplicity I am seeing is your tips/lessons being linked from Bob Murnahan's and Zack Robert's emails. Keep 'em coming!
Jim
I thought the 4 note exercise was great. I just hope I can master it.
*************
Griff, I enjoy your guitar tips. Although they are mostly geared at less experienced players, every once-in-a-while I have a light bulb moment. You remind me of something I have since forgotten.
The reason, however, I write to you is this. Can the frequency of the mailings be lessened? There is really no way I should get 3 bulk mailings daily.
I have 2 options unsubscribe, or delete them as they arrive. Neither option benefits you in anyway.
Sonny
Where's the "Solo example" referred to in the video... it cuts off right before! I want more... seriously... I'm on the fence between the online course, and the dvd course. Online is really fine with me, but I don't want to miss out on the 'additional material' referenced in the writeup of the blues guitar unleashed package. I'm also not willing to pay that much more for the dvd's either. I got a case of the "bgu" vs. "pttb" blues.
Sonny
dave
Hey, Griff. I enjoyed your storie. I grew-up in 70's and 80's. I played a lot of classic rock, and your storie is right on, it brings me back. I kinda went through the same thing. I love the way you teach and I like your down to earth personality. Dave
Les
Hi There,
Well once again you have not only hit it on the head but have now started somthing all togeather new & a new path that leads to hopfuly bright one.
Thanks Les Jones