It always seems to me that there are different practice routines for just about every person under the sun.
But what I notice often is that what works for one person doesn't work for the next... not because the method is flawed. More often than not it's because they are trying to accomplish 2 different things.
So I'll try to explain the 2 types of practice, and about how much you need of each to accomplish your goals. The good news is... in many cases you'll be surprised at how little you can get away with.
To me there are 2 kinds of memories and that goes with the 2 types of practice: finger memory, and brain memory.
Brain memory is concepts. I often describe this as the "what" to play. It's in your mind that you decide you're going to use a particular scale or chord voicing. But your brain isn't what is actually going to execute the command...
For that we need finger memory. Your fingers need to just go do it when your brain tells them to. If the brain has to instruct the fingers on what to do, then it can't concentrate on cool stuff to play anymore. If it concentrates on cool stuff to play, it can't tell the fingers what to do.
This has nothing to do with age or experience... it's a simple fact of the way we're built and the way we work. It works this way for every student I've ever taught.
So now that you know you have "brain memory" and "finger memory," what to do about each?
Fingers learn by one way and one way only - repetition. The more times you do it right, the more likely your fingers are going to be able to do it on their own later. Finger memory comes from time on the instrument.
The good news is that you don't really have to pay attention too much during this time unless it really is some new scale or pattern that you don't already know. This is the perfect sort of thing for TV Practice (practicing in front of the TV) or during just about anything else.
Any time you can mindlessly play scales, arpeggios, chords, strums, licks, whatever it may be... that's going to improve finger memory.
Brain memory is a little trickier. The brain gets a new concept usually in a few minutes. But after that few minutes is up, the brain is done and it needs to go and work on it in the background for a while.
So let's say you've just learned that you can improvise with the major blues scale over the I chord of a blues, and the minor blues scale over the IV and V of a blues. That's a concept. It's for your brain deciding what to play - not for your fingers.
But you'll probably find that after a few minutes of working with it, you start to drift off and think about other things or you get frustrated or you lose your place. Basically you start to space out.
When that happens, your brain is done and it's telling you so - listen to it! At that point it's time to go back to finger memorizing that you can do on auto-pilot. Or you can take a break completely for a while. Of course, you can always just jam away on a few fun songs as well.
Good luck and happy practicing!
Griff

Leave A Reply (113 comments So Far)
Rohn
30 days ago
thanks Griff I just learned something new Love your tips and triks very helpful already have the blues package and its great
Rohn
Mark Sheets
35 days ago
I memorized a few licks from a Keith Wyatt cassette tape more than 15 years ago. Even though I can't really "play guitar", as soon as I pick one up those riffs just come out as if I knew what I was doing.
Mark
Bob Boyle
35 days ago
This is what I'm finding in my learning process. In fact I find that once my fingers have learned something, if I watch what they are doing I muck it up. So it might take a lot longer but my fingers are now in control of the fret board and my brain (what's left of it) creates the music. I suppose it's a bit like a ship, the captain knows where the ship is going but without the engine room, the mechanical bit, it's go nowhere,
Hmm maybe not, who heard of a ship playing the blues?
Len Lawson
37 days ago
Thanks griff,Now I know why Im having so much trouble,I need a new brain ha. and possibly think of a way to get old man artherities to take a one way trip. Len.p.s. I can't decide which guitar I like to play more the j-160 or the 339..
Robert cook
37 days ago
Good stuff Griff ! I didn't know it but thats how I already practice, I can chill out and noodle around without my brain in gear, next time I pick up my fingers seem to have a mind of their own ! Then I engage the brain and pick out a new lick or chord to practice. I'm too old to be a rock star! But since I invested in BGU, my ability and inspiration has increased no end ! Thanks and keep the tips coming... Robert. Gold Coast Australia
John Bahun
52 days ago
Hi Griff:
Excellent explanation of the two kinds memory. Some people call "finger" memory "muscle" memory. But in either case - you hit the nail on the head. There are times when frustration will come with both types of learning. Being able to recognize when that is and to change up at that point is definitely key.
Thanks for all the groovy material and your continued support!!
John
D an
54 days ago
I have been playing for some time but it is not structured. What do you suggest to get structure yet still have fun learning?
RON GRIFFITH
77 days ago
Thanks for the practicing tips.I find myself starting out practicing bar chords and when I can't get them to sound right,I find myself going to things I find easier to play.
Trevor Nalliah
79 days ago
Hi Griff,,,
Just to say thanks for your help,,,!
Stay Well
terry
81 days ago
trying to learn basic blues solo sounds but on your own and with limited time its not easy.
George B
100 days ago
great stuff
robert kalma
101 days ago
Oh sooooo true thanks griff
Randie Blunt
102 days ago
I've played for many year and you're right Griff. It happens to all of us. Love your emails by the way. Very helpful.