MarkDyson
Blues Hound Wannabe
I got a great deal on a Quilter MicroPro Mach 2 amp head a couple of years ago from @cowboy, and I added a Quilter brand HD 12" cab. The combination has pleased me greatly.
Lately I've been (slowly) working on Griff's Soloing Without Scales course, and using some of his backing tracks (like the 5x5 set) as my practice tracks. In that context, two features of the Mach 2 have stood out for me:
1. There is a second input, designated MIC-LINE, that's what I'd normally use for a microphone to handle my vocals. It is also, I have learned, perfect for running a cable into from the headphones jack of my laptop, giving me perfect backing tracks for noodling over (playing the tracks via Song Surgeon on my laptop). Who needs an "aux input" jack, anyway?
2. The amp has a "Boost" feature which, at first blush, might be "so what?" Turns out two of the settings are actually a Tube Screamer and a Big Muff Fuzz emulator. Dial in the "Cream" setting (the TS one) and run the boost level up to about 1 O'clock and, when combined with the gain and EQ dials on the main part of the amp, I'm getting a nice tone from my PRS that really works for me—and with minimal effort and no pedals needed.
This stuff is fun!
Lately I've been (slowly) working on Griff's Soloing Without Scales course, and using some of his backing tracks (like the 5x5 set) as my practice tracks. In that context, two features of the Mach 2 have stood out for me:
1. There is a second input, designated MIC-LINE, that's what I'd normally use for a microphone to handle my vocals. It is also, I have learned, perfect for running a cable into from the headphones jack of my laptop, giving me perfect backing tracks for noodling over (playing the tracks via Song Surgeon on my laptop). Who needs an "aux input" jack, anyway?
2. The amp has a "Boost" feature which, at first blush, might be "so what?" Turns out two of the settings are actually a Tube Screamer and a Big Muff Fuzz emulator. Dial in the "Cream" setting (the TS one) and run the boost level up to about 1 O'clock and, when combined with the gain and EQ dials on the main part of the amp, I'm getting a nice tone from my PRS that really works for me—and with minimal effort and no pedals needed.
This stuff is fun!