PapaBear
Guit Fiddlier
That was exceptionalI'm not Moto but I aspire to be.
5:04-7:32
https://dl.dropbox.com/s/lhxsfryl3xnr8wb/Dear Mr FantasyTZ-XR-Paleo.mp3?dl=0
That was exceptionalI'm not Moto but I aspire to be.
5:04-7:32
https://dl.dropbox.com/s/lhxsfryl3xnr8wb/Dear Mr FantasyTZ-XR-Paleo.mp3?dl=0
Way to kick off TZ!I've been messing around learning this song with my Helix and looper today and decided I may as well try and make a jam track out of the chord progressions. This is by no means a direct copy of the songs structure but more of a "loosely based on" version made for soloing over. There are two parts. The A - G - D progression (where the singing would normally be) that I played A minor pentatonic over and the F# minor --> A x3 / F# minor --> E7 x1 that I played A major pentatonic over. I didn't really listed too closely to the Traffic version so I'm not sure what they played but this seemed to sound ok to my ears. Hopefully the overall mix is alright. I have trouble trying to get all of the tracked evened out volume wise. Seemed a little bit muddy to me so if any of you have any comments on that part of the track, I am open to suggestions. I took the first 2:33.
My wife and I are flying down to Florida Sunday so no more guitar for the next week, but also no more snow either.
Dear Mr. Zeppelin
I finally got a chance to listen to everyone’s contributions all the way through. Nice job everyone, even you Kevin with that “magnetic F*@&ing thing”. I do think that this track set a record for pig, hog and bacon references though. Also, I do apologize for the abrupt ending. I forgot all about doing a formal ending or at least a fade out until after I had posted the track.
I don't want to risk getting into theory, but I've been wanting to point out that the progression (A-G-D-A) is the same progression in "Sympathy For The Devil" (E-D-A-E) that some of us discussed a little while ago.
Theory ZoneI will have to search for your Sympathy discussion
I figured the first part was A mixo and also works with A minor blues (don’t ask me to explain why!). The second piece I think was F# minor/A major (same notes) so the A major pentatonic worked over it
or made some wonky out of key bends. Those were my jazz improv parts.
I just came back to put a mind bending, blisteringly fast and totally AWSOME finish to this, but it was all eaten up. Ah well. Your loss.
Question for @Crossroads: Was that your Schecter with that magnetic F%*king thing?
What is a “magnetic f#&$ing thing” and where can I buy one?